And then, the icing on the cake, those opening lyrics: “Show me, show me, show me how you do that trick / The one that makes me scream, she said.” Everything about this song—the sticky-sweet sound, the pop poetry, the way singer Robert Smith enunciates like he’s fallen harder than anyone has fallen—oozes ’80s romanticism. Strap in, as primo belter Chaka Khan harnesses her most primal instincts and delivers a fierce clinic on diva ad libbing. Jones liked it so much he sampled the track a decade later in “The Globe.”. The sexual innuendo is awesomely over-the-top (did any teen couple in the '80s not make out to this song? That infectious, descending lead guitar line. The Cure frontman Robert Smith had both, and wielded the latter to devastating effect in this single from the band’s 1989 masterpiece, Disintegration. Serving up a heady—occasionally otherworldly—mixture of Afrobeat, funk, pop, rock, disco and psychedelia, the chorus of this existential anthem is huge enough to have stuck around for more than three decades. That’s “Everywhere” in a nutshell. 80s Song Intros. With a no-nonsense attitude and some killer dance moves (the video was choreographed by Paula Abdul), Jackson established herself as one of R&B's leading innovators and a woman who wasn't afraid to demand what she deserved. With jukeboxes and leather jackets, “Faith” was dressed up as old-time rock & roll, but the uptight shuffle remains gloriously modern. But it’s a good thing the Scottish group wised up: The synthy cut has a permanent place in ’80s pop culture. [2], The music video, filmed inside Knebworth House, Hertfordshire, was directed by Daniel Kleinman. Catchier than a flytrap, more sordid than your craziest night out, Rick James hit the summit of his career with the wild funk of "Super Freak." This version contains longer breakdowns and drum fills, a second appearance of the bridge, and a longer ending. But only one band had transformed that groundbreaking phrase into a musical piece that defined an era (almost) as deeply as the Ronettes. Oh, that ill-fated bassline. Those deliciously decade-appropriate synths. That simple bass progression. We do our own songs," he recalled to the BBC in 2018. Of all of the iconic guitar riffs on this list, the opening line from "Sweet Child o' Mine" takes the air-splitting cake. While only reaching number seven in the UK, it stayed on the charts from 1985 to 1987, one of the longest timespans for any single in the history of the chart. Years after its 1985 release, she said that she felt like a dork singing it. This party-igniting flip of Lyn Collins's "Think (About It)" was released in 1988, served as the intro theme to the inaugural season of Yo! A daily briefing on what matters in the music industry, Ice Cube on Role in Developing Trump Campaign's 'Platinum Plan' for Black America | Billboard News, Billie Eilish Posts Racy Photo to Hit Back at Body-Shamers | Billboard News, Megan Thee Stallion Continues Teasing Fans About New Music: 'My Album About to Go Crazy', 30 Years of Billboard Latin Music Week: Watch Ozuna, Bad Bunny & More Before They Were Superstars, Spice Girls Mash Up Posh Spice's Best Moments for Victoria Beckham's Birthday, Bad Bunny Makes Inaugural BBMAs Performance Debut of 'Yo Perreo Sola' | Billboard News. This song represents the apex of scream-along arena-scale pop-rock. Ditching the original's energy for Marc Almond's cut-glass tones and unashamedly machine-driven melodies, Soft Cell's version soon became huge, paving the way for the ’80s synth-pop explosion that followed. As the 1970s turned in the 1980s, punks and rockers (and there was a difference then) both became enamored with the sounds coming out of New York City. It's about as sappy as they come, but Baby Huey smartly slips in a line about how love doesn't require a credit card, which, as anyone who's gone on a date in the past 50 years can tell you, is totally bull. As a cocksure teenager, Prince passed on four major-label record deals, demanding artistic autonomy until Warner Bros. granted it. A white-hot tribute to late frontman Bon Scott, the title track to AC/DC's seventh studio album has been covered by Muse, Shakira, the Foo Fighters, Santana and countless others. Bowie was all over the place during the ’80s: duetting with Jagger, clambering into spandex for Labyrinth, getting buried alive for Merry Christmas, Mr. Lawrence and ultimately embarking on a midlife crisis that resulted in a worrying beard and Tin Machine. solidified both the song's and Tiffany's success, as well as a permanent spot on any best-of-the-'80s list. Prince whipped up two tunes overnight, the winner being “When Doves Cry.” With such little time, he didn’t bother with a bassline. No guitar act better assimilated hip-hop than the Clash, probably because they had so much practice sponging up dub. “Nineteen eighty-nine…” The first five syllables of Public Enemy’s most zeitgeisty hit, made at the request of Spike Lee for his groundbreaking film Do the Right Thing, pack a ton of punch. However, A&M did not notify Simple Minds that Forsey would appear, and the band declined the offer of the song despite Forsey's enthusiasm for them.[2]. Nobody writes grandiose heartbreak like Jim Steinman, and he’s never done it better than in this smash 1983 epic ballad for the raspy-voiced Welsh belter Bonnie Tyler. Even that sampling by MC Hammer can't diminish its greatness. A firm salute, please, for veteran rock chick Pat Benatar, who commanded the airwaves with a take-charge attitude, a spandex wardrobe and the voice to back up both of them. This final single—or the last that matters, anyway—was a dry run for Mick Jones’s sampling-loving crew Big Audio Dynamite, a bit of Isley Brothers meets a Bronx boom box. All rights reserved. Turning jaunty Motown influences into icy synth pop may sound like sacrilege, but that's exactly what English duo Soft Cell did when it covered Gloria Jones's 1965 funky stomper in 1981. [2], In the process of recording, Simple Minds added parts such as Kerr's "la lala" vocal fills. Though this song was first recorded in 1967 by Tommy James and the Shondells, synth-pop songstress Tiffany repopularized the tune in 1987, turning it into a chart-topping teen anthem. The first four iconic seconds of the Ronette's "Be My Baby" have been sampled again and again over the past 50 years: Billy Joel, the Magnetic Fields, the Strokes, Amy Winehouse, Dan Deacon, Gotye…the list goes on. It is also the band's only number-one hit on the US Top Rock Tracks chart, staying atop that chart for three weeks. Considering the titanic forces at work in this tune, it's relatively understated, but it does ultimately climb to the sparkling heights that both Bowie and Mercury inhabited with such ease. “Running Up That Hill” was so huge because it was her most digestible—though still weird, with its galloping drums and a Fairlight synthesizer hook that sounds like pan pipes from deep space. It wasn’t just the music that became synthesized in the ’80s: Everything got the imitation treatment. In 1984, Tina Turner was 44 years old and on the comeback trail. But it's a sweet thought. It would prove the British outfit’s first hit across the pond and soundtrack too many young loves (and young loves lost) to count. The rest is karaoke history, baby. [11], ^shipments figures based on certification alonesales+streaming figures based on certification alone, 7": Virgin / VS749 (UK), 7": A&M Records / AM-2703 (US), 12": Virgin / VS749-12 (UK), 12": A&M Records / SP-12125 (US), Idol later recorded a version for his 2001 compilation album, CS1 maint: BOT: original-url status unknown (, List of number-one singles of 1985 (Canada), List of Billboard Hot 100 number-one singles of the 1980s, List of Billboard Hot 100 number-one singles of 1985, List of Billboard Mainstream Rock number-one songs of the 1980s, List of Dutch Top 40 number-one singles of 1985, "Don't You (Forget About Me) No 1 on U.S. Thirsty for more essentials from way back when? The Boss pinched the title of an old crooners’ standard to write his own classic, the finest single from his massive Born in the USA album in 1984. Yet within those self-imposed limitations lies something truly dreamy, with the song rising and falling like the sea, propelled and subdued by the trio’s delicate chemistry. Each and every element in the song is dancing. Gaye already gifted the world arguably the greatest song about sex ever, "Let’s Get It On," in 1973. When she strode on the scene in 1988, Neneh Cherry was one of those pop stars who made you do a double take—what the? This is longing on a supernatural scale, and Tyler holds her own against the thundering arrangement as she roars out some of the least quiet desperation ever known to pop music. Can you listen to it and not immediate conjure scenes from The Breakfast Club? who the?—before you ran out of the house to buy the single (on cassette, natch). The song’s masterfully infectious synth riff, sampled back to glory by Pitbull and Christina Aguilera in 2013’s “Feel This Moment,” would be enough to secure it a spot on any list of ’80s classics. (Okay kids Ready to go) the memories, the music, back life was just simple, the 80s is very much alive (All I want is privacy) lock the room, turn up the boombox and lets dive into the 80s wormhole (How do you do it) Just press play, no ipods, no iphones, just pure 80s lifestyle. A New Order single is like if architecture was flush with hormones. , for chrissakes.) The Purple Rain soundtrack was thought to be complete, but the director needed a power ballad to lay over a montage of domestic discord. “Total Eclipse of the Heart” was originally conceived as a song for a vampire—it even showed up later in Steinman’s 2002 Broadway fiasco, Dance of the Vampires—and its gothic underpinnings are front and center in the song’s lurid video. Biz Markie was both emblematic of the genre’s giddy charms and the man responsible for its ultimate downfall. The Nigerian-born, U.K.-raised singer-songwriter is in top form on this hit single from her multi-platinum-selling second album, Promise. For a good decade there, it seemed as though "Born to Run" was the absolute final word in blue-collar rock & roll mythmaking—but then along came the Boss's fellow Jerseyans Bon Jovi, who slathered the old story of two hard-luck dreamers longing for escape with a thick coat of glam-era bombast. And that bit that sounds like made-up gibberish? ? This 1985 hit by Tears for Fears is one such song, an existential meditation of sorts, opening with the line, “Welcome to your life—there’s no turning back.” It’s a serious pop song, as bassist-singer Curt Smith remarked: “It's about everybody wanting power, about warfare and the misery it causes.”. Few songs from the era are so rich and perfect. We are Simple Minds. Writer-singer Bryan Ferry’s falsetto during the verse draws you in, his romantic mantra of a chorus absolutely floors you, and the whole thing is shrouded in a plaintive, synthy, beautiful glow.

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